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D.C. Sniper Attacks: One Side Of The Story You've Never Heard

On Oct. 24, 2002, relief washed over Washington D.C., Virginia, and Maryland after the “D.C. Sniper” John Muhammad’s arrest. For 22 days before his arrest, residents felt danger and fear around every corner; many barely even dared to step outside. In the course of these 22 days, ten random people were killed and six hurt by Muhammad and his accomplice 17-year-old Lee Boyd Malvo. For weeks on end this story plagued the front of newspapers and captured the attention of millions around the nation, but there’s one side of the story you probably never heard.



Last night I had the opportunity to hear a lecture from Muhammad’s ex-wife Mildred on domestic violence. The story I heard enthralled me, entranced me, and most of all touched me. It was a story I knew I wouldn’t be able to find anyway in the media, especially in the days following Muhammad’s arrest. Mildred opened up her heart to the audience and let out her emotions. She spoke to us about the beginning of her and John’s relationship, how it began as normal. When John came back from the Gulf War everything changed. He became violent and started seeing other woman. After she demanded a divorce, he was granted visitation times with the kids on weekends. One weekend though, he never brought them back. For 18 months Mildred didn’t hear from her kids, they had been kidnapped and taken to Antigua by John. This is also where John met his accomplice in the shootings Lee Boyd Malvo, taking him in and acting as a father figure to him. Mildred went to the police, but they marked the case as “custodial interference” and told her they couldn’t do anything about it because there was no parenting plan in place. Later John called her and told her, “You are my enemy and as my enemy I will kill you.” “John was a man of his word,” Mildred told us.


This threat caused Mildred, a hardworking woman who owned her own business, into hiding for 8 months. After an emergency custody hearing, Mildred got her children back. But once again she was forced finding a place she hoped John wouldn’t find them. This is when the shootings started. She never believed it could have been John, but she did know he was “the perfect shot”, able to take one shot from afar and kill someone. This is what she feared. Everywhere she went, she looked up and around at the rooftops, waiting to see John standing there with a gun aimed at her. But the shot never came, rather it was the police who came… knocking on her door one day and convincing her to come to the jail for questioning. This is when she found out her ex-husband was the prime suspect in the D.C. shootings. This is also when she found out the main target of the shootings was her. John had planned to carry out random killings, so once he was able to get her everyone would blame it on the “D.C. sniper”. However, no one would know who the sniper really was and he would gain custody of the children.


Since he hadn’t been caught when the police took Mildred in for questioning, they rushed her to a hotel under police protection. Mildred shared with us what exactly happened in that hotel that night… how when his picture popped up on CNN she reached out to the TV and placed her hand over his picture saying “Who have you become?”, how after she tucked her three children into bed for the night she went to the bathroom, turned on the bathtub water, and curled up on the cold floor and cried into a pillow for hours.


She shared with us what she and her children went through the day of his execution on Nov. 10, 2009. How it took her all her strength and will to go against what she believed could be harmful to her children… asking them if they wanted to talk with their father one last time. She believed one sentence from the manipulative man she had once married could ruin the years of counseling her kids went through, but she knew if she didn’t allow them to talk to their dad they would be mad at her forever. They decided yes, they did want to talk to them. At 9 pm though, they turned on the TV and at 9:11 pm the news declared him dead. The last call never came. She was later given a reason by John’s attorney: John, who proclaimed his innocence since his arrest, would have to answer the question “why” to his kids. This would ruin all the years he had spent declaring his innocence.


It hasn’t even been a year yet since his execution, so it surprised me she was able to come out and speak to all of us. But she wanted to share her story of being a survivor of domestic violence; in hopes those being abused all around the country can find ways to survive.


What I also find really interesting about this story is how much coverage the shootings and her husband received, but how I never once found her side of the story. Sometimes, when reading news stories, you forgot about the third party in the story. Mildred mentioned the media never really blamed the shootings on John just wanting to kill her and gain custody of the kids. The media decided John had really committed his acts for other reasons, so Mildred’s story never came out. What we decide to print and broadcast over air is the only story the public will ever know. I think it’s something we as journalists have to remember. We need to investigate all sides of a story.


If you get a chance, I suggest reading her memoir: Scared Silent… When the one you love becomes the one you fear.


Thanks to www.conoperative.com for the "terror of a random killer photo" and www.newsone.com for the photo of Malvo and Muhammad.

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Callaway County Farmer Wins Agri-Business Award


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After 33 Years, Sedalia Area Business Closing



Click here to read the story on KOMU.com.
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Live Shots... The Rawest Form Of Reporting

Live shots... the rawest form of reporting. For some reporters live shots are a great time, and for others it can be a bit nerve wracking.

Here are some live shots I've seen... and what makes me believe they are good:



This liveshot is a combination of good video, the reporter putting us in the moment, and giving us an idea what is happening during the chaos of the Virginia Tech shootings. I really like that she explains how the alert system is still going on behind her.




This reporter has a lot of nerve and is able to keep his composure as he reports on wildfires ripping through San Diego. He reports on the home burning down behind him... his own home. He was able to convince the firefighters to let him get through to see it and report on it. One of the most craziest and sad liveshots I've seen.




After a terrible incident like the Columbine High School shootings, a liveshot like this can inform the parents at home real fast.



This is the only video I know of a reporter going live before the second tower collapsed on 9/11.


Click here to see what happens when you expect one news story and you get another. Props to the photographer for getting the video inside the courtroom and outside the window.

Being in the elements, as you saw in the wildfire video, can sometimes make the best live shots... although dangerous they really show the audience what it's like out in a storm. Click here to see a reporter going live during Hurricane Andrew.
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New Cole County Jail Set To Open April 1, 2011




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Jefferson City Officials Certify Petition; Not In Time For Ballot

Not one of my finer stories, but one I have been covering over the course of a year...


View the video below.



Previous stories about the issue can be found here:



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Digging Deep And Finding The Real Story

The news is in and it's official --- University of Missouri tailback Derrick Washington's arraignment has been set for Sept. 23 after he was charged with deviate sexual assault, a class C felony.

But the news isn't exactly... "new."

Last week the Columbia Missourian posted the story after Missouri head coach Coach Gary Pinkel refused to speak about why he indefinitely suspended Washington. All other news outlets reported he had suspended Washington, but didn't give a reason as to why. The Missourian, however, obtained court documents (exercising their rights!) and figured out why.

From word of mouth, I heard another local news outlet was upset with the Missourian for posting the story. They called the reporting "irresponsible." But what part of doing research and informing the public is irresponsible?

I do agree with Coach Gary Pinkel's decision to protect his players and not tell the press why he indefinitely suspended Washington. But Washington is a public figure, and if you've done your digging and your research, and you are 110 percent sure your facts are right then I say go for it.

Isn't it our responsibility as journalists to not just take no as an answer? Washington is a pretty big player for the Tigers and I'm sure the public would want to know what could cause an indefinite suspension. He was the one who knowingly took on the role as a public figure.

So congrats to the Missourian for doing their research and for all those other outlets calling it "irresponsible reporting"... it isn't irresponsible until the facts are wrong.

As for Washington, if he did do it he should face the consequences. If not, I hope he is able to clear the charges and move on with his life.
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Top Ten Hardest Things About Being A Reporter

If you've ever thought about being a reporter you may want to know you can never truly know what it's like until you've done it. (And thanks to Flickr for the perfect picture to the left... exactly what it's all about!)

After completing my reporting shift this past week, I took time to reflect upon what I think is the hardest parts about being a reporter. Of course this can vary from one reporter to another, but for all of us there are some certain things we can agree upon to be difficult. In this list I'm about to show you, these are things that maybe only I believe to be difficult, but for some I can certainly say all reporters believe these aspects to be difficult.

And now... in no particular order... I bring you: "The Top Ten Hardest Things About Being A Reporter!"

1) Interviewing talkers who want you to know anything and everything. On a hard deadline it can be difficult to sort through a plethora of information and so most of the time, unless it's a follow-up, we just want the basics and good little facts or stories that make our story unique. If we have to cut you off, it's probably not because we don't like talking to you, it's just we only have have a small amount of time. Speaking with very talkitive people also means, as a broadcast journalist, you must be very good at picking out the most important facts in your story... you only have a minute to a minute thirty to tell your story!

2) Going from talkative people to people who don't want to talk at all! Sometimes it can very difficult to find sources. This is why it's good for journalists to build up a list of sources. This can mean taking the chief of police out to dinner or even just asking how their kids are doing the next time we see them. Building personal relationships with our sources is key to building trust with others. If they can help us, hopefully sometime there will be a time when we can help them!

3) Video poor stories. It's nothing new... to tell a good story a broadcast journalist must have good video and as we all know that's very rarely possible. Sometimes you get stuck with stories containing an abundance of numbers or stories where the action has already happened and all the evidence is cleared, such as covering a robbery the next day. This is where the creativity comes in. How can you find video that will tell the viewers exactly what you're trying to say? Who can you talk to that will make your story come alive?

4) Chasing down a story that turns out not to be a story at all. It happens to all of us. We see something or find something we think could turn out spectacular. We start making phone calls after phone calls until we find out there was no story there at all. The best thing to do in situations like these is to wait pitching the stories to your assignment editor and find a day in advance if it's really a story. If you pitch it and they like it... by the time you finishing making your phone calls, finding out it's not a story at 2 p.m., you'll be running around like a chicken with your head cut off looking for a new story to get done by 5.

5) Keeping your cool on camera, when really everything isn't cool at all. Everybody has their bad days, if someone told me they didn't I'd never believe them. As a broadcast journalist though, no matter what kind of day you've had (and you can be sure we have lots of bad ones!), you're expected to come on camera with a smile on your face, your makeup and hair all pretty, and ready to present your story in a calm professional manner.

6) Deadline... and working well under pressure. It's 30 minutes to showtime and you just sat down to write your story. You grab some quick SOTs, write your story as best as you can, voice it, crash edit it, and transfer it just in time. There might be a few jump cuts and some passive voice, but you just hope it isn't too districting to the viewers. Unfortunately, days like these aren't too uncommon in the news world. As a journalist you are expected to have a story everyday no matter what. I'm a perfectionist, and I've learned you definitely can't expect to have a master piece everyday.

7) Everybody knows... technology can be amazing, but it doesn't always work. If you get into broadcast journalism, you must expect this. Cameras break, tripods break, computers crash, etc. And as I said before, no matter what happens with your equipment or your story, you're still expected to have a story done by its deadline. Your microphone breaks while you're out on an interview? Find another way to capture the sound. You're computer crashes right before show time? You better have saved it and checked it into another editing bay. Always know your options and never freak out when something breaks.

8) Working those not-so-regular hours. When you 9 to 5 workday folks are out to the beach on a hot Saturday afternoon with your family or talking a nice evening jog on a weekday, it's a safe bet to say new journalists will be in the newsroom working. Unless you've worked many-a-years in the business, a normal workday isn't 9 to 5 (and even veterans won't get out until 6:30 p.m.). It's more like whatever-your-boss-tells-you-to-do workday. This could mean on Sunday's you work mornings from 5 a.m. to 1 p.m., Monday's 3:15 a.m. to 11 a.m., Tuesday's 9 a.m. to 6:30 p.m., Wednesday's 3:15 p.m. until 11:15 p.m. and so on... Your assignment manager can call you in early if he wants or can keep you late if there's breaking news. If you want to be a journalist, expect to miss birthdays, Christmases, anniversaries, New Year's Eves, and any other big event.

The way I look at it though, even if I have to miss all those holidays, I still have the best job in the world.

9) Facing difficult stories on topics such as death or trying to cover a story we know nothing about. I'm a very curious person and love to learn new things everyday, but even sometimes I get a little freaked out when I'm expected to cover a story I know nothing about or don't know who to contact to understand it. We have a limited amount of time to try and talk to everybody we can to make the story unbiased. We also must use that time to find out all we can about the story. People expect us to experts on every story we cover. The truth is, we aren't experts, but we do the best we can in giving you the facts on what we know.

As for facing difficult stories and interviewing those who have just dealt with a tragedy, I've covered the topic of disconnecting yourself from your story before in this blog. Click here to read "The Art Of Detaching Yourself From Your Stories."

10) Being a girl and a one man band sometimes I wonder if they expect us to be she-mans. In the real world tripods and cameras are each thirty pounds. Sixty pounds on my back everyday is a sure reason for a call to the chiropractor. But even if I wasn't a girl, it wouldn't matter... being a one man band is hard for anyone. In just a short course of a few hours, one man bands are expected to do one million and one jobs. Okay, not that many but sometimes it feels like it. We are expected to find our own sources, set up interview times with our sources, research our story, talk on the phone and take notes while driving to the locations (could be right in town to a few hours away), shoot all our own video while also trying to interview multiple people and think out what our story is about, tweet every so often, have our web story up before our story airs, write, script and edit our own stories, and finally be that cool, calm, and collected I told you about before when the show airs.

This is just some of the stuff we do... all in a sweaty day's of work.

To all the reporters out there... what would be on your list?
 
Copyright © Tara Grimes
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